Beyond the Horizon explores the quiet power of emergence, capturing moments where color, light, and form extend beyond what is seen into what is felt. Each piece invites the viewer to cross perceptual thresholds to stand at the edge of the known and witness the unfolding of something greater. In these works, horizons are beginnings: spaces where radiance, rhythm, & silence converge, calling us into a deeper relationship with the world around us and the inner landscapes within.
Colored ©2025 meditates on the essence of color itself, the way it can define, divide, and unify. The work flows through a spectrum of hues, with each section subtly transitioning into the next, creating an oscillation between tones. These rhythmic shifts of color suggest movement, like the pulse of a living entity. The palette itself, ranging from vibrant oranges and reds to soft creams, reflects a harmony of opposites—warmth and coolness, boldness and calm. At the work’s edge, a deep blue provides a moment of stillness, offering a counterbalance to the vibrant energy flowing through the rest of the composition. This interplay between colors and capturing the essence of contrast and the quiet harmony that emerges from it.
Stretched and sized at 55.69 x 64.75 inches (141.45 x 164.46 cm).
Imagine the Conversation ©2026 offers a distilled horizon where atmosphere is built through quiet layers rather than overt gesture. A luminous blue and a gold horizon divide a pale, misted field, turning landscape into measured light. A thin line of gold runs across the width like a heat seam, catching light with a gentle enamel sheen and giving the composition its subtle voltage.
Below, a wide pale expanse opens into veils of pearl gray, blush, mint, and sand, softened by scumbled passages and faint tonal revisions. The surface reads as calm from a distance and richly nuanced up close, with small shifts in temperature and transparency that change as the light moves through the day. The gold horizon functions like a quiet signature within the image itself, anchoring the work while the surrounding fields remain open, luminous, and contemplative. Sized at 64x 47 inches( 162.56 x 119.38 cm)
In Intervals: The Still Between No. 1 ©2026, the horizon becomes a score: horizontal strata of atmosphere, water, and ground interrupted by a hand-drawn golden portal and small calibration glyphs. The work treats stillness not as emptiness, but as an active interval—measured, held, and entered.
Sized at 11.25 x 36 inches (28.6 x 91.4 cm)
The Line Between ©2026 holds a quiet threshold of presence, memory, and form. Within its luminous field and measured black intervals, the work suggests horizon, notation, and trace without ever resolving into a fixed image. Presence is revealed through restraint, as rhythm, pause, and tension move gently across the surface. The result is an atmosphere rather than a depiction: a study in stillness, structure, and what remains. 86 x 60 inches (218.44 x 152.4 cm)
Crimson Stack ©2026 reads like an artifact, stacked fields of saturated red held in suspension. The intervals create breath and pause, then become thresholds. A central line draws the eye as seam and vein, a measure of time. Architectural and visceral, it stands as a quiet monument with heat still inside it. Crimson Stack was completed in 2026 at the artist’s studio in Soho, New York. Sized at 40 x 12 inches (101.6 x 30.48 cm)
Field of Intervals ©2025 composes vertical bands across a chalk quiet ground, each stripe a measure of time and each gap a held breath. Rusted reds and lifted whites gather into a cadence of music and memory, where rhythm becomes form. A faint horizontal scuff near the upper field reads as a breath mark, an invitation to pause before the count resumes. A narrow split through the center steadies the rhythm and holds a crisp line against the softer edges. The surface records touch and release, pigment rising and thinning, and the composition settles into a contemplative tempo that holds the room.
Sized at 31 x 33 inches (78.74 x 83.82 cm) (Stretched)
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